#Is davinci resolve 18 stable professional

It wasn’t possible to do before and that’s a bugbear of some other professional video editors, but it no longer is Resolve’s. It makes it much easier to find the value you want to check or alter.Ī welcomed improvement is the ability to alter a clip’s parameters while still in the Media panel. Its various parameters are organised into groups (Video, Audio, Effects, Transition, Image and File) and it’s found across the Media, Cut, Edit and Fairlight sections of the interface. Oh how we love the remodelled Inspector panel. The reworked Inspector pane is most welcome, and a new option allows you to alter clips that haven’t yet been added to your timeline (Image credit: Blackmagic Design) Refined inspector You also have the option to manually tweak the framing should you need to. As you crop your project to suit a particular platform (square for Instagram, for instance), you can then use that tool to analyse the content of your clips and Resolve will do its best to keep the action within the frame, even tracking the movement to keep everything centred. One fun new feature, if you’re looking to share clips of your work on social media, is the Smart Reframe tool - which is a Studio only tool. Much better than having a thumbnail representation of whatever the effect does. Working with effects is a little more user friendly: mouse over an effect, and see it applied instantly to your clip, which can help you decide, without dragging it to your timeline, if it’s the right type of effect you wish to use.

Finish the trim and the waveform goes back to its original dimension. When you use it, the representation of the affected clip increases in size, making it much easier to see where you need to stop trimming. Some great additions can be really simple things that you would’t think are useful until you try them. The Cut page was a major addition to the previous version, and it too has received some improvements, like the ability to sort clips based on various parameters via the Metadata View. Organise your clips with greater ease thanks to Resolve’s new sorting features (Image credit: Blackmagic Design) Cutting it However, there’s definite potential there which is bound to save a lot of time in the long run. But like any new feature, you need to practice a little with it before you can make the most of it. It can be frustrating sometimes to always have to select a new tool before preforming a certain task, so a contextual tool sounds very refreshing. Perhaps our favourite change comes with the improved contextual editing tool - which changes its function depending where and how you click on a clip. The main improvement being that it’s now easier to control the interface using a keyboard and mouse. Working with audio can feel a little intimidating, and this isn’t helped by the fact that Fairlight can allow you to work with up to 2,000 tracks, enabling you to design extremely complex projects and likely make newcomers run for the hills, so anything designed to help simplify matters is always highly welcome.įairlight is Resolve’s audio section, and it has received major improvements, many of which are aimed at making it easier for the novice user to get into this part of the interface. DaVinci Wide Gamut is a new workflow which provides a universal internal working colour space that’s wider than what cameras can capture, meaning it’ll preserve all image data no matter which device your clip was shot on.Īudio Trim is surprisingly useful: it increases the size of the waveform, making it easier to know where to cut your clip (Image credit: Blackmagic Design) Audio work

With the featured enabled (in the project settings), you’ll be offered a menu with a small range of colour workflow presents. Resolve’s Colour Management has undergone a lot of changes.

Viewer Wipe Modes, used to easily compare shots, have a few new variations, such as splitting the image diagonally, as a Venetian blind, or with a checkerbroad effect. New tools have been added to your palette, such as HDR Grading, Colour Warper and Magic Mask.Ĭolour Warper is an interesting way of altering the colour and luminance of a clip simultaneously and you can control that change either by clicking and dragging on the preview window, or by changing the position of the points on the tool’s grid.Īs for Magic Mask, it looks like a simple and impressive way to isolate a person or part of a person from the rest of the clip - but that’s a new tool only available in the Ultimate version. Many colour grading features have been improved with new tools added, giving you greater control over the look of your media (Image credit: Blackmagic Design) Color gradingĪs you may know, Resolve started its existence as a colour grading tool, and version 17 has made a lot of advancements and improvements in that section of the software.

Is davinci resolve 18 stable